Category Archives: Classroom Management

Top 9: 2015-16 Year in Review

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It’s been a week since the 2015-16 school year ended.  I have taken a week off from doing any work, but it is now time to take a moment to reflect on the year. And, what better way to do that than to do a top 10, well, a top 9…close enough. Normally, a top 10 would only be the best things, but I thought I would add some of the not-so-good as well.  I mean, we all like things to be puppies and rainbows all the time, but let’s get real folks…it ain’t.

9. New Ceramics Curriculum…or should I say lack there of.  I decided to go balls to the wall and go full-on TAB with my ceramics students.  This is the last year I will have had any students that were part of my sculpture program–from before I made the switch to “all clay, all day”.  And, if you were to walk into that intermediate/advanced class, you could tell which kids those were.  But, I digress.  For the most part, for my intermediate and my advanced students, they were given complete freedom.  They were allowed to work on what they wanted, in the time frame they needed.  I did have some themes with guiding questions to help them if they were stumped, but they were in no way “forced” to follow those themes. If you are wondering how to do a single-media TAB class….read this!

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The Ceramics Graveyard and Senior Totems Sculpture Garden at THS

I think this was a great decision.  It allowed the students to move at their pace and do what interested them.  Are there some kinks to work out concerning the structure of the class? Of course.  I plan on doing a “Technique Tuesday” type of thing.  I will have a demo day once a week to show different things they could use in their work, like sprigs and molds and glazing techniques.  I also am revamping their technical reader and going to incorporate that more into the class.

8. Braeden, The Beginning Ceramics Student Who Learned More Than Me.  I was fortunate enough to have that student this year that many teachers dream of having.  That student who falls in love with your subject matter so much, that he or she just becomes a sponge and soaks up everything.  Who during their free time spends it watching videos and reading about the subject.  Who is in your room working and learning and creating at all times of the day.  I had that student this year, and his name is Braeden.  I had Braeden in art 1 his freshman year, but for some reason, he decided to stop taking art for 2 years and finally returned to me his senior year for art 2: beginning ceramics.  I often wonder where he would be if he hadn’t taken that time off.   He started off as a normal ceramics student, doing the required beginning projects.  Then all of the sudden, he changed.  He found a passion.  He found what he wanted to do with his life.  He would come in whenever he could to practice throwing. He learned to make his own clay.  He learned about glazes and different types of firing and their temperatures. He attempted to make his own wood ash glaze.  It was amazing to watch his lust for learning about all things clay.  I eventually had to tell him to stop learning because he knew more than I did.  Of course this became a running joke, and I love it when he teaches me new things.  I loved being able to have those conversations about ceramics with him. I will miss that next year.

7. Starting Over, again, and again… Sometimes you think you have a great plan. And sometimes that plan, no matter how awesome YOU think it is, sucks.  This was the case with my art 2: painting/drawing class this year.  I won’t go into too much detail, as I wrote about having to start over with this class here.  But, I will say I learned a lot from that class.  It is okay to stop and rewind.  You HAVE to do what is best for your students, and if that means if what you are doing isn’t working, then try something else.  However, if you are going to “start again”, you have to keep your students informed about what you are doing and why.  I had that tough conversation with them.  I told them I wasn’t feeling it, and that I thought they weren’t where I had thought they should be.  That we needed a new direction, and this is what we were going to try.  They looked at me with puzzled looks, but they were willing to try.  I think in the end we started over twice.  But, they say third time’s a charm for a reason.  By the third start, we figured it out.  We figured what worked for them, what they needed to grow and be successful.

Like my ceramics classes, I do have some things to tweak, like the timeline for the artistic behavior units, the digging deeper sections, and how we get to full choice by the second semester.  I wish I could open the studio to full choice sooner, but seeing as my co-worker isn’t TAB, and my art 2 classes are a combo of his and my students…I have to do a little work to make sure all students understand the TAB studio.  It’s all good though….my kids could probably use a refresher anyway.

6. Two Wonderful Opportunities.  I work hard, both at my job and as an advocate for TAB.  So, it is nice when someone else recognizes what I am doing.  This year, not one, but two different people recognized this.  First I was asked by my friend, Betsy Murphy, to come and speak about TAB at the T(exas)AEA High School Division meeting at the 2015 conference. I was honored that Betsy, once my mentor, now my friend, thought of me in this way–that I had something important to share with my colleagues.Screen Shot 2016-06-05 at 10.37.47 AM

Second, I was asked to present at the AOE Winter 2016 Online Conference.  I presented about the assessment model I was working on.  It, again, was an honor to think that something I was doing would be of interest to other teachers.  I hope that it helped people make a connection between assessment and grades.

5. Speaking of AOE…Blog Finalist Here.  That’s right, Me, Jean Barnett, author of Art
Class by Mrs B, was a finalist inRisingStarFinalistHI the Art of Education, Blog of the Year, Rising Start category.  I didn’t win, but I think it is pretty cool that I made the list.  I even got a nifty badge to display on the blog.  Oh yeah!  I write my blog with the hopes of not only documenting my journey, but also of helping another art teacher by sharing with I have learned along the way.

4. Art Club I have been at my school for 9 years.  For 8 of those years, my co-worker “ran” the art club.  Well, I wouldn’t really call it running an art club.  I’m not really sure what it was. This img_20160211_220850.jpgyear I took over art club.  I can’t remember the exact reason why he was willing to give it up, but he did, and finally it was mine.  When we started, the club had no money (in fact the account had been closed due to inactivity), and they hadn’t done anything in years.  I advertised the club.  We met every Friday morning during tutorials.  We elected a president, a vice-president, a secretary, and a treasurer.  We sold popcorn, made Duck Art t-shirts and sold them, and even held a painting party.  Was it the best art club?  No.  Did we do a whole lot?  No.  But we did paint a mural in our computer lab, and I am glad to say that we did have a few hundred dollars in the art club account by the end of the year.  Furthermore, we still had members returning to meetings at the end of the year. So, I call it a win!  Small steps people!  I am so proud of the kids.  Next year will be even better.  I know it.

3. I am Not Invincible, But At Least My Admin Believes in Me. I like to think that I am invincible.  That nothing is going to bring me down, except for maybe myself.  And, that was definitely the case this year.  I won’t go into details, but I did have an incident this year that caused me to pause.  I can’t change what happened, but I can say that students can be unpredictable and retaliate in damaging ways.  Luckily for me, I have some students that know who I am, what I stand for, and what my students mean to me.  They were honest and I commend them for that.  I also learned that I have an administration that believes in me and what I do in my classroom.  My principal understands the climate of the art room, and how it differs from an academic class.  We had a long talk about it, and when I left his office, I knew that finally, I had an administrator that finally understood.

2.  School Art vs. Authentic School Art vs. What the Student Really Wants to Make Art This was something that I had not had a ton of thoughts about until I attended a session by Justin Clumpner at NAEA16 in Chicago.  He was talking about an AP student he had who wasn’t making the work or getting anything done.  Then one day he saw her sketchbook and asked her why she wasn’t creating works like her sketches.  Her reply, “I didn’t think I could.  I didn’t think this was ‘school art’.”  I thought that was an interesting concept…school art.  In TAB, we talk a lot about “authentic art”, and what our students are making is authentic art.  And, I thought that I encouraged authentic art and that my kids were making what THEY wanted to make.

That was until the end of April this year.  I happened to come across a tweet by one of my art 1 students of a painting she had just finished at her house.  I tweeted back to her that I thought she should do that in class.  When I talked with her about it the next school day, I asked her why she didn’t do this stuff in class.  She said she couldn’t figure out how to work it into the themes we were doing.   That’s when the lightbulb went off.  As much as I thought I was empowering my students to bring their own life into their artwork, and as much as I encourage authentic art…maybe I wasn’t doing all that I could.  I don’t have an answer yet as to how to really encourage it more, but I have an idea to work through over the summer.

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The Twitter Painting

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The Final Artwork

And, just as an aside, while this girl in particular worked hard all year, I never saw her work like the way she did on that final painting.  She learned so much and was so proud, and I could tell she was a little sad (but still proud) when I said I wanted to keep it to display in August when we returned to school.

1. Knowing You’re on the Right Track  Deep down in my heart, I know that TAB is what is best for my students.  It keeps them engaged.  It really helps them to grow artistically. And, it makes them think and reflect.  My years of running a TAB studio have been my favorite years of teaching.  But, sometimes, it is hard.  Sometimes you feel like the kids just aren’t getting it.  You feel like maybe the “others” are right, and you aren’t really teaching them anything.  You doubt yourself and your program.

But, then something happens. You assign a completely open final artwork for your art 1 students.  You see 90% engagement. You see growth at its peak. You see that they have been paying attention all year.  You see the research and the planning, the trials and errors, the experimentation, and the pushing forward all come out of the students.  Yes, I was physically exhausted for the last 2.5 weeks of school.  Yes, my room was a constant mess, for which I apologized to Connie, my custodian, on a daily basis.  But, I was happy.  I was proud.  I knew I didn’t need to doubt.  I hope to remember this next year when I will more than likely doubt myself again.  I can’t wait to display all this wonderful art in August.  I did include a few pieces from my art 2 class’ final work, Artists Work in a Series, in the slide show.

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Hope your year was as good as mine.  After I finish recharging over the summer, I will look forward to implementing what I learned from this year.  And I do want to take this opportunity to say thanks to my tribe for helping me and encouraging me along the way.

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TAB and the Single Media Art Class

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From time to time, I come across the question of how to run a class that has a single focus such as painting, printmaking, or ceramics following a TAB pedagogy.  It seems as if people think it isn’t possible to be fully TAB because the students don’t have 100% choice of everything.  I mean, the medium is already chosen for them.

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Well, I think it is possible, and I have been running my ceramic classes that way for the past couple of years.  It has evolved into the almost fully student-led class it is today, but there is always room for improvement.

As we know, TAB isn’t just about giving the students free reign over things. It’s about a way of thinking and about the process of going from conception through to end product and all the steps in between. So, since it isn’t about a product so to speak, that leaves room for lots of exploration, skill building, and concept growth.

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I have three levels of ceramics…beginning, intermediate, and advanced.  My program is small, so intermediate and advanced meet at the same time.  I think that is better anyway.  Our classes run for a full year.  I start off my beginners with a bunch of “have to” projects. Yes, I know, not very TAB, but I think this lays the ground work for moving to full student driven work.  We spend the first semester learning basic hand-building techniques: a slab box with rolled in texture, a carved pinchpot sphere, a carved tile, and a coil built vessel with some kind of additive texture.  We also spend some time on the wheel. The students do have some choice aesthetically, but in the end, I have picked the project for them and I know the outcome.

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Once we get passed that, we move to themes.  I came up with a bunch of themes and put them on the class’ website.  Under each theme, I asked some questions to help them begin thinking about how they could interpret the theme.  From there, they can pick a theme that speaks to them and begin the creative process.  They decide how to build.  They decide size.  They decide clay type (we have low-fire, mid-fire for the wheel, and porcelain).  They also decide their time schedule.  They work at their pace.  No longer is the class all together in the same place working on the same thing.  My intermediate and advanced classes work in the same way, but without the have-to projects at the beginning of the year.  We do start together with the same theme–just to get back into the flow and shake off the summer, but after that, they can move into their own groove.  If a student wants to repeat a theme, they can.  If a students doesn’t like any of the themes, they can come up with their own.  Once pieces are bisqued, they also get to choose surface treatments.  Not all students like to glaze, so I have tried to show and display many other non-glaze treatments.  This really gives a lot of variety to the pieces my students create.

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Another great thing about keeping the class student-led is that it really allows for mistakes and taking risks.  Students don’t have the looming deadline over them of a piece they may not even want to be doing.  If a piece blows up in the kiln because I rushed it or it falls apart because they didn’t score/slip properly, the kids have been okay with that. They move on to the next thing and figure out what went wrong so they don’t do it again.  If something they are building isn’t coming out right, they are more willing to fix it or take it apart and try again because they know their project isn’t being graded and that I am instead looking at their artistic process, habits, and growth.

As for assessment, I do follow the same thing I do for all of my classes.  Each student has a blog and has to write about artistic behaviors every other week to let me know what they are doing and how they are progressing and thinking like artists.  However, for the past 6 or so weeks, we have been playing with a combination blendspace and the blog.


As my class evolves, I am working on changing up the ceramic reader I have created to be more helpful to the students.  I am also going to implement what I plan on calling “Technique Tuesday”.  I have created a list of things I think the students should know how to do and what they are, such as press molds, sprigs, 2 part molds, different tools, glazing techniques, etc.

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I really enjoy running my ceramic classes under the TAB pedagogy.  My students have really began to flourish.  I can see them applying the techniques they have learned.  They are creating pieces that are important to them.  It allows them to be always working and not waiting on classmates to finish in order to move on.  It allows them to stop a project for a while and come back to it later.  One of my intermediate students, Julia, is working on a willow tree.  She has been all year.  But, she also has worked on other pieces when she tires of it.  She comes back to it with more interest each time.  It is a fabulous piece. Another student, Frank, has been able to work in a more “make it up as I go” type fashion…which is where his work flourishes and becomes fabulous.  Having “projects” wouldn’t work for him.  A beginning student, Braeden, has completely blown me away this year because the TAB atmosphere has allowed him to follow his path.  He has learned how to make his own clay, how to create his own wood ash glaze, and he is close to surpassing me on the wheel.  If I made him to projects, he wouldn’t have realized that working in ceramics is what he wants to do with his life after high school.DSC_0383.jpg

I am writing about my experience, but I think this can be done in any single-medium class. It’s all about giving them the reins to drive what interests them.  They will learn the process as they go along.  It’s about learning through exploration.  Because it is single-media, they really get to know the ins and outs; therefore, since so much time isn’t spent learning multiple mediums, they can really focus more on message, process, and content. Which, in my opinion, leads to higher quality work.

Tired of Traditional Wedging?

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I hate wedging.  There I said it.  My name is Jean, and I hate wedging.  I have no upper body strength.  I don’t have a wedging table that is the correct height for me.  And I don’t like spending my spare time wedging.  Earlier this year one of my ceramic students came upon this video that showed him how to “Slam and Stack Wire Wedge”.  He said it would be easier for me, but of course, I didn’t believe him.  And, well, it seemed like a lot of work…I would have to have him teach me and set up a make shift wire cutting station.  I was very busy. (Yeah, I wasn’t busy, I was just lazy and wanted him to do all the grunt work for me.)

I finally told him that if he would make a tutorial video for me, I would watch it over the summer and use it next year.  He said okay.  Then, about a week ago, a video appeared on a Facebook group, Clay Buddies, showing exactly what my student had been talking about. The method looked easy enough, so I thought I would try it out.

So, I had my student take some our reclaim and spread it out onto our plaster wedging table to dry out some.  We left it overnight, and the next morning, he set up the make-shift wire cutting station for me.

Game on.  We cut the clay into 4 “smaller” sections, so it was easier to work with.  I took 2 pieces and slammed them together 4 times, flipping over each time.  Next I cut the “new” piece in half with the wire cutter.  Then I put the 2 pieces on top of each other and slammed again 4 times, flipping over each time.  Wash, rinse, repeat for 30 times.

The result?  My clay is wedged.  My students can get back to hand-building.  My arms aren’t so tired.  I am a little sweaty, but I did get a lot of frustration out with all that clay slamming.  And, it saved me so much time.  I call this a win.

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The clay after 30 stacks and slams. You can see it is uniform and ready to be used.

Does this mean I don’t have to wedge traditionally anymore?  Yes.  Of course I will wedge my clay before I throw, and of course my students will wedge before they throw.  But, that will be smaller quantities. This is good for all that clay I have in my reclaim buckets.  Now I have 2 methods to help me with all that “old” and reclaimed clay I have just cluttering up my classroom and kiln room.  (Other method for larger blocks of clay.)

Here is the “Stack and Slam Wire Wedging with Michael Wendt” video:  

What to do with all that dry clay

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I have been teaching ceramics classes for about 4 years now.  And before that I taught sculpture classes and we would always have at least 2 projects with clay during those classes.  Now, as students work, clay dries out and because “unusable” for awhile.  Clay dries out because as you work with it, you hands and the air take out the moisture, kids build things that they don’t want or need, they fail to wrap up their pieces correctly and instead of trying to work with it, they move on, or they rip holes in the bags that hold the clay.  So, due to all of these reasons, I have a ton of extra clay.  Seriously…it is just so.much.clay.

Normally, I reconstitute my clay by putting the pieces in a 5 gallon bucket and then fill the bucket with water.  Eventually the clay softens and becomes slurry-like.  From there, I pull some out, put it on a plaster bat, and let it dry enough so I can wedge the clay back into a usable form for my students.  Quite frankly, this is a pain in the ass.  I hate wedging with a passion.  It reminds me how weak and out of shape I am.  Not to mention it is time consuming.

Recently it was brought to my attention that our district has a grant program.  I thought great, I can apply for a grant, talk to the principal to see if the district will help with the cost, and add in the money that ceramics club has raised, and with all that I can purchase a pugmill to help me on my “mission” to get all this dried clay usable again.  I asked a group of potters on a Facebook group I am part of for a pugmill recommendation.  That is when a woman told me this method of reconstituting I had never heard of.

She told me to put no more than 2 cups of water into the bag with the dried out clay.  Next put the clay bag in a big bucket–like a 5 gallon one, and fill the bucket with water until the bag of clay is covered.  Finally, let it sit for a week or so.  The theory is the pressure from the water outside of the bag will push the water in the bag back into the clay and soften the clay so it can be used again.  I’m gonna be honest here, I was a little skeptical.  But, I did it anyway.  P1080085

Well, after about 5 days I checked the bucket.  Almost all of the water I had put into the bag was gone…it had soaked into the clay.  I took the bag out of the bucket and opened to see what the clay felt like.  It was a little slimy on the outside, but the clay it self was wet all the way through.  It was as if it was brand new from the store.  And bonus, because this was a bag of clay that was solid and not a bunch of pieces left over, I don’t have to wedge it.  I was able to re-bag it and put it with the other clay for my students to use.IMAG5300

I am so excited that this worked.  I went through all my clay and pulled all the bags where the clay was one big giant block like this and put them aside.  I loaded up my bucket with a new block and water, and in a week I hope to have another bag ready to go.  I still have the other buckets with scraps the kids create, and that will have to wedged, but this new method will really help me out, and I can save the ceramic club’s money for something more fun for us to use it on.

Day to Day in My TAB Classroom

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A post on my art teacher’s fb page asking about how a TAB classroom works at the high school level got me to searching my blog for a post on how I do it.  I found numerous posts on why I do it, the themes we have used, and organization of my room.  While those are very helpful, they don’t really talk about how my classroom is run–the day to day.

I have said in the past that my classroom is a living entity, and that is as true today as it was when I wrote about it; and it will be true tomorrow and for years to come.  I have to ebb and flow with the needs and wants of my students.  Otherwise, I am taking away something important from the students and not living up to the pedagogy I believe in.

The basics of running my classroom include: introduction of theme, brainstorming, inspiration, demos, time to plan and work, due date, reflection.

  • INTRODUCTION OF THEME:  This is just that…I tell the students the theme.  At the start of a unit, I turn to the kids and tell them the theme. simple. easy.  Themes we have used this year include:  man/machine, interior/exterior, power, pressure, home, environment, light, sound, surrealism, self-portraits.
  • BRAINSTORMING: A few of our themes have not needed brainstorming–like self-portraits.  But, for the most part, we brainstorm as a class.  We are a 1:1 school with MacBooks, so I have the students use a program called Padlet to help them develop ideas.  This helps in several ways…it allows for multiple points of views, it helps to give a voice to those who are shy, and I can link the brainstorm board for those that need to go back and review.
  • INSPIRATION: Currently I am helping my students get some inspiration.  Many of my students haven’t been exposed to much art, so thinking outside of the box is often difficult for them.  I like to help them see what could be possible within a certain theme.  I create pinboards with a myriad of examples for my students.  I hope in the future to change this by having my students find the inspiration and creating the pinboards.  I’m just not there yet.
  • DEMOS: Part of running the TAB classroom includes giving short demos on various materials, tools, techniques for the students.  When I introduce something new, I do a quick 5-8 minute demo and I record it.  I took a page from Apex High School and created my own media portal.  I post all the videos here so students can go back and reference if they were sick or if they need a refresher.
  • TIME TO PLAN AND WORK: The majority of time spent in my classroom is dedicated to this.  At the moment, I don’t require students to plan by sketching or the like because it is not something I always do.  Some students plan on their own, while others don’t.  I am seeing that the reason for this is that they don’t know how.  This is something I am working on and planning on adding in the future (as soon as I figure out how…).  Many of my students experiment as they go, working through ideas and finding solutions–just like many artists do.
  • DUE DATE: I’m going to be honest here, I like having due dates.  I think they are important.  They help to keep my students with wandering minds on-task.  They are important for future endeavors.  I think it is something they have to learn.  I use a soft due date and a hard due date.  There is a week between the two due dates.  Basically, the day after the soft due date I introduce the next theme and we brainstorm.  During that week, those that have finished with the current theme can move on and start planning/working on the new theme; those that need a few more days can finish up working while thinking about what they want to do on the new theme.  I have found the soft/hard due date works for my student population, and it helps keep me in compliance with a few district/campus policies.
  • REFLECTIONS: During the first semester, each student created a website using Weebly.com.  As a class, we talked about 8 different behaviors that artists have.  Every 2-3 weeks, the students chose 2 behaviors and wrote about how they were or weren’t showing that behavior.  It didn’t matter where they were in the process of an artwork.  It was helpful for them to see that the processes they were going through were what was changing them into artists.  When the second semester started, I introduced the artist statement, and the students reflected at the end of each unit, writing an artist statement about what they just created.  I realized that many were not ready to move on to this and were producing better reflections about themselves and their work talking about the behaviors.  I give them a choice at the end of the unit about how they want to reflect now.

MEDIA CHOICE:  I have set up my classroom so that almost all media is out in the classroom and easily accessible for the students.  We started off the year with b/w drawing media.  From there I added color media.  Next was printmaking, then painting and collage.  Starting in the second semester I opened sculpture and clay.  At this point in the year (10 weeks to go), students are allowed to choose whatever media they want.

I know that not every TAB classroom works like this, but this is what works for my student population and for me.  I hope as I continue with the TAB pedagogy, I am able to allow even more freedom to my students.  I keep a list of running notes of things I think will make it run better next year.  What demos did I miss this year that would have been good?  What if I spent more time on each behavior individually?  How can the students get more out of blogging?  Things like that.

There are never two days alike in my classroom.  In fact, even when I do an intro day, no two classes are ever the same.  It’s a good thing.  It keeps it interesting to me.  It keeps me on my toes.  It keeps me happy.

Let There Be Light?

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Light:    

  1. the natural agent that stimulates sight and makes things visible.  
  2. understanding of a problem or mystery; enlightenment.
  3. (of a color) pale.
  4. of little weight; easy to lift.
  5. gentle or delicate.
  6. (of entertainment) requiring little mental effort; not profound or serious.
  7. (of persona) good; vs. evil (dark)

This was our theme.  Seems like there could be a myriad of possibilities.  I thought it would be “easier” that our previous theme of “Sound“.  Unfortunately, it was much harder than I thought it would be for my students.

I don’t know if it was the theme or if it is just that time of year.  (To be honest, I have hit that proverbial wall that often shows it face in February as we are just on the cusp of beginning the last 2 marking periods of the school year.  But, I digress.)  While a few knocked it out of the park and had some deep thinking and meaning to their artwork, many just went through the motions.

Not everything that came out of this unit was bad.  It helped me to realize some things about my students, myself, and the atmosphere in the room.  My students need a break from computers.  Enter our next theme of surrealism where they will rely on their minds for ideas.  I need a break.  I know we just returned to school, but I feel like I am about to start up this huge mountain of responsibilities and I won’t get to the top until mid-April.  And, finally, my room has become too comfortable.  It’s a double-edged sword really. It’s what I wanted.  I wanted my students to want to be here.  I wanted my students to want to make art.  I wanted my room to be a living thing.  And it is all of these and it is not all these things.  I don’t know how to explain it.  I like the chaos of art making and several of my classes deliver.  But what I don’t like is just general chaos–which other classes are becoming.

So, see, this unit has brought reflection and thought for me.  This is a good thing.

Here are a few more good things that were brought about by this unit.

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Setting the Stage…The Paint Stage

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One of my biggest fears/concerns this year when moving to a TAB/Choice-Based classroom was the addition of paint into the mix.  Paint is always a scary thing. Kids don’t always wash brushes out and acrylic dries in them. Trays get left behind for me to clean. So much paint gets wasted because no matter how many times you say, “you can always get more”, the kids take enough to cover an elephant.  And don’t get me started on those pumps for the half gallon bottles that are always clogged.

Since this year I have everything out for the kids to access, I thought paint, both acrylic and watercolor, should be out too.  And, not to toot my own horn too much, since I had put so much thought into organization (and it is working very well), that the paint should get the same consideration.  I bought a bunch of clear, empty ketchup bottles for my acrylic to try and combat the too much paint/clogged pump issue. I looked through all the stuff I had and found a couple of racks I could use. And, I appropriated several Xerox paper box lids from the work rooms.
I made 2 areas–one for watercolors, and one for acrylics.  So far, so good. Kids have access to it all, except they do have to ask for the canvas boards. They have been taking only the paint they need.  They close the caps on the paint bottles.  Almost all brushes are washed well.  (They have been following the brush washing video I made for them.) The paper paint palettes help so much with giving them less to clean and more time to work.

It seems my fear of introducing paint was unnecessary. Let’s hope they keep up the good work, and good clean-up.

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Watercolor station. Includes paint trays (not pictured), brushes, paper, salt, resist medium.

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Canvas board size choices, on the wall near

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Acrylic paints in their new bottles. There is a small spice rack stand that holds the neutral colors.

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Acrylic paint set-up. Brushes, other tools, paint trays, paper palettes and brushes. There is a towel in the brushes box top so wet brushes can dry and not destroy the cardboard.

Brainstorming with Padlet

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If you have never tried Padlet before, I suggest you check it out.  I found out about this wonderful free online program this summer.  I have used it twice in my classroom already.  

The first time it was meh.  Not all my students had computers and they had to shout out what they wanted me to add when we had a brainstorming session.  Many voices weren’t heard because, well, you know that student, the shy one that doesn’t speak up and especially not to the whole class.  

Today we used it again in my Art 2 class.  We had our final brainstorming session about Man/Machine and the relationship, meaning, and interactions.  Almost all of the students had computers so they were able to add as we went.  It was a huge success.  It can be anonymous and helps those who don’t know or don’t want to share their physical voices.

And bonus, I can share the link on their Art 2 webpage so they can reference it.

It really pumped me up as we move to the art making stages of this unit.

My “New” TAB Classroom

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I spent the summer trying to figure out how to set up my room to best serve my students in a TAB environment. Well, it was easier said than done. Luckily, I didn’t have to buy too much. I had a friend that was moving who gifted me a ton of plastic tubs and drawers. I had a ton of stuff from before that I repurposed. I did buy a few things that I didn’t have…like a new drawer unit for magazines, but all in all, I didn’t spend too much.

My room isn’t the best size for an artroom in my opinion. It is long and narrow, and I have rather large desks and 4 potter’s wheels to accommodate. But, I think I have it all figured out.

I came in a couple of times over the summer and got rid of things I hadn’t used in years and old projects I was saving for no reason. I started to re-arrange and re-purpose. I have set up what we will need at the beginning. Paint and color will come into play in a few weeks, so I thought since I had some time, I would concentrate on what I needed right away and what had to be put away so it wasn’t cluttering up my counters.

It is a work in progress and I like to think of it as a living thing that will change as the needs of the students change and as we figure out better ways of doing things.

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Ceramic Corner

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Ceramic Corner

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Glaze Station in storage room

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Drawing/Paper Media Counter

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Storage

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Different Types of Boards (bristol, card, rail, etc.)

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Still Life Drawing Items

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Check Out Station for Prismas, Brushes, and Colored Sharpies

 

 

Process Over Product?

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A couple of months ago, I joined an art teacher’s forum on facebook.  It was a great find–a great use of social media.  I am in contact with hundreds, if not thousands of art teachers from around the globe.  It has really got me to thinking about how I run my art room, what is important, what isn’t important, what is art, what is craft, should we have more choice, should technique be the main focus, should, should, should.  In short, it has made me think, learn, and grow…3 things that are important to stay a relevant and qualified teacher.

It is through this group that I was introduced to TAB or choice-based art.  It is through this group that I have been introduced to this group of teachers from Apex, NC at Apex High School.  They have been experimenting with choice this year, and recently they have  brought to the front of my mind the question of process over product.

Is the artistic process more important than the product produced?  I don’t know.  Is the process just as important than the product?  I also don’t know. But as I begin to explore this topic and experiment with it in the classroom, I find I might lean more towards them being equals.

As I began to think about stressing the process in art making and really trying to have my students participate more in the process and making decisions regarding their art just like artists do, I began to think about how do I assess this?  Unfortunately, assessment is always towards the front of my brain. (It’s hard not to think about it when you have to have a minimum of “X” grades per marking period without question, complying with district policy, blah, blah, blah.)   I want my assessment to be fair and meaningful.  I want my assessment to be as objective as can be in a very subjective area like art.  I create rubrics for almost everything.  I have to. Otherwise, I feel like I am grading on a whim.

But back to assessment.  How does one grade process?  How does an artist think?  What actions does an artist do?  Fortunately for me, the very nice people of Apex have sort of figured that out and are willingly sharing their work here.  The questions/artistic habits that Melissa Purtee designed are wonderful and so helpful.

This week I participated in a video art chat and the topic of process over product was the topic.  Ian Sands, a teacher at Apex, discussed how he and the teachers at Apex HS are having the students do what they call a “snapshot”.  Bi-weekly the students go into blogs that they have created and they write about their process.  They must pick 3 of the artistic behaviors and add pictures.  It is a really interesting way to be able to assess the process and to see how the kids are working, thinking, and growing as artists.  The teachers are also discussing using the snapshot as their grades and not grading the final product.

This is where I become unsure.  This is where I veer off.

I decided to give this focus on process a try.  On Monday, my Art 2: P/D students started altered books.  For me, this is a project for the students to really focus working around a theme and trying new ways of making art. (They have prompts to jump off from.  Prompts include things like draw with glue, layers, glazes, burn the page, etc.  I want them to think about doing things other than just “traditional” drawing/painting. )  I have always graded the altered book in a way where each page was graded and then the book as a whole was graded.  I had a rubric that I had created for the assignment, but I wasn’t in love with it.

However, the project has always been more about the process of art making.  Why not then assess it more about the process?

I walked in to class today and told the kids we were trying a different approach to grading this time around.  I told them to disregard everything I talked about regarding the rubric and individual page assessments.  I have decided to have the students do a weekly reflection for the duration of this process instead.

I borrowed the artistic habit domains and wrote up the questions in Socrative. (No time to really set up blogs at this point.) They will answer 2 of the domains each week…their choice.  (I do think I will tell them that they can’t always answer the same two.)  Then that will be their grades.

However, I will still give them an overall product grade based on some basic questions that I outlined for them yesterday…more of did you fulfill the requirements of the altered book type things.   I can’t walk away from the product completely.  I think the product is equally as important.  I think it is important to see things through to the end, even if it is not successful.  Then you can reflect back on the artwork to see what worked and what didn’t.  But this is a conversation for another post.

I am excited to see how it goes.  I am excited to see what students will write. Many are already excited about the altered book, and I think this focus on process over product will let them be more free and willing to try new things.

I will update as we continue with this process process.  (See what I did there?)